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Your search for 'Medieval Studies' in subject found 44 book(s).
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1. cover
Title: Imaging Aristotle: verbal and visual representation in fourteenth-century France online access is available to everyone
Author: Sherman, Claire Richter
Published: University of California Press,  1995
Subjects: Art | Art History | Medieval  Studies
Publisher's Description: Nicole Oresme's translation of Aristotle's Nicomachean Ethics, Politics, and Economics into French from Latin in the 1370s is the subject of Claire Sherman's stunningly illustrated book. Though both the text translations and their images have been studied separately, this is the first time they are published in their entirety and considered together.Intended for an audience of Charles V, his counselors, and high-ranking lay people, these manuscripts are significant for their linguistic and political implications, for moving Aristotle's work beyond clerical and university boundaries, and for reflecting the dynamics of monarchic control of French language and culture. Sherman shows the importance of Oresme's role as translator and book designer. She also explores the gender and class representations in the imagery, relating them not only to the views of Oresme and his audience but also to the contemporary secular culture.   [brief]
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2. cover
Title: Memory and re-creation in troubadour lyric online access is available to everyone
Author: Van Vleck, Amelia Eileen
Published: University of California Press,  1991
Subjects: Literature | European Literature | Medieval  Studies
Publisher's Description: In spite of the fame of individual singers, many of whose names are legendary, the songs of the troubadours often come to us in multiple versions, each with a different sequence of stanzas. What accounts for this variability? Authorial self-effacement might explain why much anonymous medieval poetry was "reworked," but Amelia Van Vleck argues that this answer will not suffice when the author of the song is well known and admired.Van Vleck outlines a new way of reading troubadour lyric by questioning the belief that chansonniers were compiled from song-sheets tracing back to written "authorized" copies. She challenges the very appropriateness of a concept of "text" as applied to troubadour lyric. Instead of superimposing a nineteenth-century notion of "lyric poetry" on these songs, reading them as "perfect" texts and attempting to re-establish an "authentic" version through textual criticism, we must, she claims, become aware of these songs as potential performances with moveable parts, each version a realization of the whole song. Van Vleck concludes that it was primarily the voice, not the pen, that created (and re-created) this innovative body of poetry that forms the very foundation of the Western European lyric.   [brief]
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3. cover
Title: European Jewry and the First Crusade
Author: Chazan, Robert
Published: University of California Press,  1987
Subjects: Religion | Medieval History | Medieval  Studies
Publisher's Description: One of the unanticipated results of the First Crusade in 1095 was a series of violent assaults on major Jewish communities in the Rhineland. Robert Chazan offers the first detailed analysis of these events, illuminating the attitudes that triggered the assaults as well as the beliefs that informed J . . . [more]
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4. cover
Title: Fulk Nerra, the neo-Roman consul, 987-1040: a political biography of the Angevin count
Author: Bachrach, Bernard S 1939-
Published: University of California Press,  1993
Subjects: History | Medieval  Studies | Medieval History
Publisher's Description: This is the first comprehensive biography of Fulk Nerra, an important medieval ruler, who came to power in his teens and rose to be master in the west of the French Kingdom. Descendant of warriors and administrators who served the French kings, Fulk in turn built the state that provided a foundation for the vast Angevin empire later constructed by his descendants.Bernard Bachrach finds the terms "constructed" and "built" more than metaphorical in relation to Fulk's career. He shows how Fulk and the Angevin counts who followed him based their long-term state building policy on Roman strategies and fortifications described by Vegetius. This creative adaptation of Roman ideas and tactics, according to Bachrach, was the key to Fulk's successful consolidation of political power. Students of medieval and military history will find here a colorful, impressively researched biography.   [brief]
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5. cover
Title: Italian music incunabula: printers and type online access is available to everyone
Author: Duggan, Mary Kay Conyers
Published: University of California Press,  1992
Subjects: Music | Musicology | Medieval  Studies
Publisher's Description: Musical notation presented unusual challenges to the new craft of printing in the fifteenth century. Its demands were so difficult that the first impression of music from metal type was not made until a full twenty years after the first printed alphabetic texts. By the end of the century dozens of such fonts had appeared throughout Europe. The books that resulted were often impressive volumes of folio or large-folio size, printed in two colors, with woodcut illustrations.Mary Kay Duggan focuses on the technological processes developed in Italy to print music books. She begins by tracing the history and analyzing the techniques of casting and setting type and staves. She then identifies, classifies, and examines thirty-eight specific types. Finally, the author has compiled a descriptive bibliography of Italian music incunabula, including books containing either printed music or blank spaces for the insertion of manuscript music. Italian Music Incunabula marks a major advance in the study of the paleotypography of music. It greatly enhances our understanding of the impact of the printing press on music and the importance of music books in the work of early printers. Its meticulous bibliography of over 150 incunabula, concordances, and indices will make it the standard reference work for many years to come.   [brief]
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6. cover
Title: The other economy: pastoral husbandry on a medieval estate online access is available to everyone
Author: Biddick, Kathleen
Published: University of California Press,  1989
Subjects: History | European History | Medieval  Studies
Publisher's Description: While the cereal agriculture of medieval Europe has been studied exhaustively, the pastoral resources and livestock husbandry of medieval estates have been seriously neglected. Kathleen Biddick's examination of one estate, Peterborough Abbey, during several decades before and after 1100 and the first decade after 1300, brings a new balance to the subject of the medieval economy. Her pioneering methodology and the conclusions she reaches will interest archaeologists and agricultural historians as well as anthropologists, economists, and historians of early European development.Drawing on the archival records of the abbey, an estate that straddled the "classic" open-field agriculture of the English Midlands and the more pastorally-oriented farming of the English peat fens, Biddick describes in great detail how these farmers managed their herds and consumed and marketed livestock products such as meat, wool, hides, milk, and cheese. Commitment to conserving consumption strategies did not mean that the Abbey resisted market involvement and technological innovation. Large numbers of work and cart horses indicate the estate's economic interest in speedy haulage. Cereal yields, where they are calculable, compare favorably to the high-yielding demesnes of parts of Norfolk, the most agriculturally advanced region of medieval England. By showing how the Abbey coordinated its resources to enhance diversity and flexibility, The Other Economy enlarges our understanding of agrarian lordship and political control over resources in the medieval economy.   [brief]
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7. cover
Title: The forgotten hermitage of Skellig Michael online access is available to everyone
Author: Horn, Walter William 1908-
Published: University of California Press,  1990
Subjects: Architecture | Art | Architectural History | Medieval  Studies
Publisher's Description: This book is a dramatically told and visually stunning account of a ninth-century hermitage discovered on the South Peak of Skellig Michael, an island off the west coast of Ireland. It is the story, pieced together from fragmentary remains, study, and conjecture, of a man's attempt to live on a tiny ledge some 700 feet above the Atlantic on the outer edge of the European land mass, alone, as close to God as possible, in what is perhaps the ne plus ultra of ecstatic monastic solitude.Richly illustrated with maps, plans, and photographs that capture both the astonishing beauty and isolation of the hermitage, the text also includes reconstruction drawings of the site that combine a surveyor's accuracy with an artist's imaginative response to the hermit who found spiritual refuge on a pinnacle.   [brief]
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8. cover
Title: The royal image: illustrations of the Grandes chroniques de France, 1274-1422 online access is available to everyone
Author: Hedeman, Anne Dawson
Published: University of California Press,  1991
Subjects: Art | Art History | Medieval  Studies | French Studies
Publisher's Description: The Grandes Chroniques de France is a vernacular, frequently illustrated history of the medieval French monarchs. Originally describing the lives of the kings from their origins in Troy in 1274 to the reign of Philip Augustus, it was updated in several stages to the life of Charles VI. Copied and amended for a variety of royal and courtly patrons, approximately 130 of these manuscripts exist today. Anne Hedeman provides the first critical and comprehensive study of the chronicle's illustrations.Hedeman concentrates on the illustrations in twenty manuscripts, analyzing their artistic and cultural significance and offering new methods for studying illustrated manuscripts. She discusses the chronicle in relation to the political ideology of Louis IX, vernacular history, and the Latin chronicle tradition at Saint-Denis. Looking at the manuscripts of various periods, the author compares their representations of historical events, kingship, and individuals in and around the royal court. She also contrasts the styles of several authors and illustrators of the chronicle. The Royal Image includes a catalogue of over seventy-five illustrated manuscripts, and an appendix listing the artists. An additional appendix lists surviving manuscripts.   [brief]
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9. cover
Title: The disenchanted self: representing the subject in the Canterbury tales online access is available to everyone
Author: Leicester, H. Marshall (Henry Marshall) 1942-
Published: University of California Press,  1990
Subjects: Literature | Literary Theory and Criticism | Medieval  Studies
Publisher's Description: The question of the "dramatic principle" in the Canterbury Tales , of whether and how the individual tales relate to the pilgrims who are supposed to tell them, has long been a central issue in the interpretation of Chaucer's work. Drawing on ideas from deconstruction, psychoanalysis, and social theory, Leicester proposes that Chaucer can lead us beyond the impasses of contemporary literary theory and suggests new approaches to questions of agency, representation, and the gendered imagination.Leicester reads the Canterbury Tales as radically voiced and redefines concepts like "self" and "character" in the light of current discussions of language and subjectivity. He argues for Chaucer's disenchanted practical understanding of the constructed character of the self, gender, and society, building his case through close readings of the Pardoner's, Wife of Bath's, and Knight's tales. His study is among the first major treatments of Chaucer's poetry utilizing the techniques of contemporary literary theory and provides new models for reading the poems while revising many older views of them and of Chaucer's relation to his age.   [brief]
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10. cover
Title: Nuptial arithmetic: Marsilio Ficino's commentary on the fatal number in Book VIII of Plato's Republic online access is available to everyone
Author: Allen, Michael J. B
Published: University of California Press,  1994
Subjects: Classics | Philosophy | Medieval  Studies | Renaissance History
Publisher's Description: The latest of Michael Allen's distinguished studies of the Renaissance Neoplatonist, Marsilio Ficino (1433-1499), presents a difficult, fascinating text. Late in his career, Ficino wrote a commentary on the intractable passage in Book VIII of Plato's Republic that concerns the mysterious geometric or "fatal" number. He was thus the first modern interpreter of this famous passage, and Allen is the first in our era to translate and elucidate his remarkable commentary.Allen's critical translation of Ficino's analysis of the fatal number passage shows how it develops philosophical, psychological, numerological, astrological, and prophetic themes that had a particular resonance at the end of the fifteenth century.   [brief]
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11. cover
Title: Chaucer and the fictions of gender online access is available to everyone
Author: Hansen, Elaine Tuttle 1947-
Published: University of California Press,  1992
Subjects: Literature | English Literature | Gender Studies | Medieval  Studies
Publisher's Description: Hansen challenges both the long-standing myth of Chaucer as the tolerant, wise Father of English poetry and the recent arguments that Chaucer was a protofeminist, subversive of the misogyny of his day. Hansen argues that these mistaken interpretations inhibit readings of Chaucer that respond to feminist and other poststructuralist critiques of traditional literary scholarship.Hansen suggests that the woman's voice in Chaucer reflects an urgent problem of gender identity for two kinds of men, both feminized by fourteenth-century courtly conventions: those who love women, and those who traffic in stories about women. She maintains that Chaucer destabilizes the notion of fixed gender difference but then privileges masculine identity by reconstructing the feminine in orthodox ways. Hansen exhorts readers of Chaucer, and students of the history of gender, to approach Chaucer's fictions with a more sophisticated awareness of their complexity and timeliness.   [brief]
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12. cover
Title: Two churches: England and Italy in the thirteenth century
Author: Brentano, Robert 1926-
Published: University of California Press,  1988
Subjects: History | European History | Medieval History | Medieval  Studies | Religion
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13. cover
Title: Society and politics in Snorri Sturluson's Heimskringla online access is available to everyone
Author: Bagge, Sverre 1942-
Published: University of California Press,  1991
Subjects: Literature | European Literature | Medieval History | Medieval  Studies | Sociology
Publisher's Description: Heimskringla is the best known and most important book of Old Norse kings' sagas. A medieval masterpiece, the collection was written by Snorri Sturluson in the first half of the thirteenth century. The sagas have been studied primarily as literary sources and chronicles of specific historical events, but Sverre Bagge, a noted historian, finds in Heimskringla something more: a brimming guidebook to the culture and politics of Icelandic society.What kind of observer was Snorri Sturluson, and how did he see the world he lived in? Bagge concentrates on Snorri the historian, viewing him in the context of European history in general and contemporary Icelandic and Norwegian society in particular. But it is Snorri's perception of events that matters, more than the "real" events or the society that produced them. With chapters on themes such as conflicts and the "game of politics" that pervades the sagas, Bagge's analysis of Heimskringla is a model for contemporary historians now probing the relationship between narrative and history.   [brief]
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14. cover
Title: Knights at court: courtliness, chivalry, & courtesy from Ottonian Germany to the Italian Renaissance online access is available to everyone
Author: Scaglione, Aldo D
Published: University of California Press,  1992
Subjects: Literature | European Literature | Medieval  Studies | Renaissance Literature
Publisher's Description: Knights at Court is a grand tour and survey of manners, manhood, and court life in the Middle Ages, like no other in print. Composed on an epic canvas, this authoritative work traces the development of court culture and its various manifestations from the latter years of the Holy Roman Empire (ca. A.D. 1000) to the Italian Renaissance of the fifteenth and sixteenth centuries.Leading medievalist and Renaissance scholar Aldo Scaglione offers a sweeping sociological view of three geographic areas that reveals a surprising continuity of courtly forms and motifs: German romances; the lyrical and narrative literature of northern and southern France; Italy's chivalric poetry. Scaglione discusses a broad number of texts, from early Norman and Flemish baronial chronicles to the romances of Chrétien de Troyes, the troubadours and Minnesingers. He delves into the Niebelungenlied, Dante, Petrarch, Boccaccio, and an array of treatises on conduct down to Castiglione and his successors.All these works and Scaglione's superior scholarship attest to the enduring power over minds and hearts of a mentality that issued from a small minority of people - the courtiers and knights - in central positions of leadership and power. Knights at Court is for all scholars and students interested in "the civilizing process."   [brief]
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15. cover
Title: The Advent project: the later-seventh-century creation of the Roman Mass proper
Author: McKinnon, James W 1932-
Published: University of California Press,  2000
Subjects: Music | Musicology | Medieval  Studies | Classical Religions | Christianity
Publisher's Description: In his final accomplishment of an extraordinarily distinguished career, James W. McKinnon considers the musical practices of the early Church in this incisive examination of the history of Christian chant from the years a.d. 200 to 800. The result is an important book that is certain to have a long- . . . [more]
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16. cover
Title: Early Gothic Saint-Denis: restorations and survivals online access is available to everyone
Author: Blum, Pamela Z
Published: University of California Press,  1992
Subjects: Art | Architectural History | Art History | Medieval  Studies | Archaeology
Publisher's Description: quality. Indeed, the well-preserved sculptural passages provide a key to the Early Gothic style as well as revealing the distinct imprints of three artists and their influences on each other. Blum's penetrating analyses of the restorative techniques and materials are accompanied by telling photograph-diagrams that distinguish the original work from that done later.Pamela Blum's investigation has relevance not only for students and scholars of medieval art but for curators and collectors as well. Anyone concerned with survivals from the past will appreciate her scrupulous detection in studying one of France's greatest monuments.   [brief]
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17. cover
Title: Voice of the living light: Hildegard of Bingen and her world
Author: Newman, Barbara 1953-
Published: University of California Press,  1998
Subjects: Religion | Christianity | Women's Studies | Medieval  Studies | Medieval History
Publisher's Description: Hildegard of Bingen (1098-1179) would have been an extraordinary person in any age. But for a woman of the twelfth century her achievements were so exceptional that posterity has found it hard to take her measure. Barbara Newman, a premier Hildegard authority, brings major scholars together to present an accurate portrait of the Benedictine nun and her many contributions to twelfth-century religious, cultural, and intellectual life. Written by specialists in fields ranging from medieval theology to medicine to music, these essays offer an understanding of how one woman could transform so many of the traditions of the world in which she lived.Hildegard of Bingen was the only woman of her age accepted as an authoritative voice on Christian doctrine as well as the first woman permitted by the pope to write theological books. She was the author of the first known morality play; an artist of unusual talents; the most prolific chant composer of her era; and the first woman to write extensively on natural science and medicine, including sexuality as seen from a female perspective. She was the only woman of her time to preach openly to mixed audiences of clergy and laity, and the first saint whose biography includes a first-person memoir.Adding to the significance of this volume is the fact that Hildegard's oeuvre reflects the entire sweep of twelfth-century culture and society. Scholars and lay readers alike will find this collection a rich introduction to a remarkable figure and to her tumultuous world. With the commemoration of the 900th anniversary of Hildegard's birth in September 1998, the publication of Voice of the Living Light is especially welcome.   [brief]
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18. cover
Title: Made in God's image?: Eve and Adam in the Genesis mosaics at San Marco, Venice online access is available to everyone
Author: Jolly, Penny Howell
Published: University of California Press,  1997
Subjects: Art | Art History | Medieval  Studies | Women's Studies | Religion
Publisher's Description: The stunning mosaics that illustrate the story of Creation in the church of San Marco in Venice are the focus of Penny Howell Jolly's compelling and provocative book. Scholars of medieval art have long been interested in the Genesis mosaics because they copy a nearly destroyed fifth-century illuminated Greek manuscript known as the Cotton Genesis. But instead of seeing the mosaics as a vehicle for reconstructing a lost cycle of paintings, Jolly presents them as a social document revealing the essential misogyny that existed in thirteenth-century Venice. Jolly analyzes more than twenty scenes, one by one in narrative order, and her perceptive reading goes well beyond what the Genesis Vulgate text says about Eve and Adam. The mosaics establish Eve as the culpable character from the very moment of her Creation, says Jolly, and depict her as dangerous and unrepentant at the end. Incorporating both feminist religious and narratological studies, Jolly poses important questions on the nature of visual language as opposed to verbal language. The very ability of visual forms to recall a rich variety of references is one source of their power, and propaganda must have enough breadth of reference to be read by diverse groups. The San Marco cupola, Jolly maintains, is dealing in powerful propaganda, and her pictorial observations offer an articulate and refreshing new view of this well-known work.   [brief]
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19. cover
Title: Holland under Habsburg rule, 1506-1566: the formation of a body politic online access is available to everyone
Author: Tracy, James D
Published: University of California Press,  1990
Subjects: History | European History | Politics | Medieval  Studies
Publisher's Description: Under what conditions were limited forms of self-government possible in medieval and early modern Europe? While many historians have sought an answer by focusing on the development of parliamentary institutions in emerging national monarchies, or investigating the wider autonomy enjoyed by various city-states within their own borders, James Tracy looks instead at an intermediate level of political organization, the self-governing province. Readers of medieval and early modern European history will learn here how the province of Holland, during the reigns of Charles V and Philip II (1506-1566), effectively underwent an apprenticeship in self-government.   [brief]
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20. cover
Title: Rome before Avignon: a social history of thirteenth-century Rome online access is available to everyone
Author: Brentano, Robert 1926-
Published: University of California Press,  1991
Subjects: History | European History | Medieval History | Religion | Medieval  Studies
Publisher's Description: Robert Brentano evokes papal Rome in all its paradox and complicated brilliance. From a detailed re-creation of the physical "town" with its series of brick campanili and green and purple mosaic floors, to the intrigues of the great families, like the Orsini and Colonna, the reader is guided through complex and fascinating culture. Brentano's skill lies in his ability to combine the story of the vaulting ambition of the great families, only mildly tempered by their very real religious piety, with a vivid reconstruction of everyday life in postclassical Rome.   [brief]
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